You haven’t read The General in His Labyrinth, then.
Because in this novel published 1989 by Gabriel GarcĂa MĂĄrquez, SimĂłn BolĂvar is literally Black. You know, that guy who was a Latinx Washington and after whom the whole country was named. Is Black. In MĂĄrquez’s novel.
Brace yourselves because I have a Spanish version, not an English one.
El mĂĄs antiguo de sus retratos era una miniatura anĂłnima pintada en Madrid cuando tenĂa diecisĂ©is años. A los treinta y dos le hicieron otro en HaitĂ, y los dos eran fieles a su edad y a su Ăndole caribe. TenĂa una lĂnea de sangre africana, por un tatarabuelo paterno que tuvo un hijo con una esclava, y era tan evidente en sus facciones que los aristĂłcratas de Lima lo llamaban El Zambo. Pero a medida que su gloria aumentaba, los pintores iban idealizĂĄndolo, lavĂĄndole la sangre, mitificĂĄndolo, hasta que lo implantaron en la memoria oficial con el perfil romano de sus estatuas.
You have everything here. Secret history. Hidden ancestors. Whitewashing. Whitewashing above all.
The premise is that BolĂvar took after his Black great-great-grandmother with his âCarribean looksâ and âAfrican bloodâ but later, his portraits were whitewashed. And there’s something perfectly logical to it.
If he was Blackâin the broader meaning of this wordâthen it must have been concealed in the world ruled by the myth of the noble Basque blood and by the fear of limpieza de sangre and casta system. If BolĂvar was Black, history must have been rewritten to make him white.
And the funniest thing is that it could have happened and there was indeed a missed child on his family tree. A great-grandmother called MarĂa Josefa NĂĄrvaez, the daughter of a Spaniard and of unknown woman. An unknown woman. If you read Absalom, Absalom! or Wide Sargasso Sea, you probably know what secret rich white families, rich planters’ families, were hidding.
It’s quite probable that BolĂvar had a similar one.
If I’m mentioning all this, then it’s because I think that remembering is important.
Remembering what way, usually, portraits have been repainted and history has been rewritten.
Sources:
Gabriel GarcĂa MĂĄrquez, El general en su laberinto
MarĂa Teresa Pascual de Pessione, Herencia de negros. Elementos raciales en las configuraciones de los Escritos PolĂticos de SimĂłn BolĂvar y El General en su laberinto de Gabriel GarcĂa MĂĄrquez